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There is something special about the light refraction on satin fabrics – the multitude of tones as the light catches the different directions of the fabric weave allows for a depth of colour that seems supernatural.

A perfect palette for Autumn – Ochre and Khaki are the perfect pair to get in the mood for the much-anticipated cooling off, after a long hot summer; before we’re looking for cosy winter solutions. 

A soft and sophisticated tone of khaki that sits with most colours – whether it’s other neutrals or contrast “complementary” colours in the ochre, fuchsia or purple tones.

The Khaki is what I call “colourless” – it’s only just looking khaki – not too bright. The lustre of the satin creates multiple tones of itself – letting it then pair with almost any colour.

It’s hard to do justice when describing the lustre of satin in ochre – maybe, a cross between burnished gold and a delicious, juicy clementine orange. It’s also surprisingly flattering; as a flat orange doesn’t suit all skin types and colourings. Somehow the lustre of the satin, with all its tones as it refracts light from every direction, makes it look exotic and it seems like it must be made up of lots of colours, all mixed together to produce this wondrous, lustrous golden ochre.

It really will pair with just about all colours – except yellow – but it will always be the standout hero!

There is something special about the light refraction on satin fabrics – the multitude of tones as the light catches the different directions of the fabric weave allows for a depth of colour that seems supernatural.

A perfect palette for Autumn – Ochre and Khaki are the perfect pair to get in the mood for the much-anticipated cooling off, after a long hot summer; before we’re looking for cosy winter solutions. 

A soft and sophisticated tone of khaki that sits with most colours – whether it’s other neutrals or contrast “complementary” colours in the ochre, fuchsia or purple tones.

The Khaki is what I call “colourless” – it’s only just looking khaki – not too bright. The lustre of the satin creates multiple tones of itself – letting it then pair with almost any colour.

It’s hard to do justice when describing the lustre of satin in ochre – maybe, a cross between burnished gold and a delicious, juicy clementine orange. It’s also surprisingly flattering; as a flat orange doesn’t suit all skin types and colourings. Somehow the lustre of the satin, with all it’s tones as it refracts light from every direction, makes it look exotic and it seems like it must be made up of lots of colours, all mixed together to produce this wondrous, lustrous golden ochre.

It really will pair with just about all colours – except yellow – but it will always be the standout hero!

This style is a design based on an era in the early ’70s of watching my mother create an oversized, teased “do” and then don her latest geometric maxi creation as she and my dad, -he being clad in a lilac body shirt- complete with sideburns, whisked off to a “Sundowner Pool Party” – a trend that was replicating movies – I’m sure I’ve merged it all in my memory …. Jane Fonda in a maxi length, sleeveless A-line shift in geometric flowers with a big floppy hat – but then I realized – I’m not Jane Fonda – she’s much taller ………. OK – along with a few other details! 

There was something glamorous going on, but being too young to grasp or analyse, I was left with an impression of glamour being colour, print and fun times! This was what inspired our new Patcee dress, however, I wasn’t focused on a summer pool party; hence, a ¾ sleeve with flared cuff was a more elegant option. She is the perfect comfortable, stylish shift dress, with a high collar and V-neck placket in an edible green satin in a solid colour, and of course … pockets!