QOE Online 93739

Wassily Kandinsky once said that “colour is a power that directly influences the soul”. Considering the echoes of early expressionism within this print, we think these fuchsia and pink watercolour splashes will certainly uplift your soul!

The myriad of colours in this wearable piece of art expresses all the nuance of a perfect flower in bloom. The subtle splashes of crimson and olive provide additional depth. To juxtapose this softness and add a little drama, we added a black background to really make the colours pop.

This limited edition, 100% silk collection will breezily float in the summer breeze, while the breathable silk we use will keep you feeling fresh, even as the temperature rises.

For those that like to walk on the brighter side, you should consider checking out our Watercolour collection. It contains all the beauty of this one, but with an ivory backdrop.

Get in tune with your inner artist.

If you’re attracted to this colourful design, you can thank your artistic streak – we really do all have one! Doesn’t matter if you can draw or not – it’s about your “eye”.

Some of the rules of design cover off on: repetition, scale change, colour theory and depth – and this design has all of these, plus some.

This design has elements reminiscent of everyone from Cezanne to Matisse and many artists in between.

This combination of bright, happy colours stays sophisticated thanks to the layers of design creating a depth that behaves as a backdrop for the highlights of intense pinks, reds, orange and lime.

The background has textures, border repeats and glimpses of patterns.

Whilst black seems an obvious choice for pairing, shocking pink works just as well, if not better!

Be Warned: don’t be wearing this outfit if you want to be a wallflower for the night. This outfit is “putting out there” that you’re up for the fun evening!

Get in tune with your inner artist.

If you’re attracted to this colourful design, you can thank your artistic streak – we really do all have one! Doesn’t matter if you can draw or not – it’s about your “eye”.

Some of the rules of design cover off on: repetition, scale change, colour theory and depth – and this design has all of these, plus some.

This design has elements reminiscent of everyone from Cezanne to Matisse and many artists in between.

This combination of bright, happy colours stays sophisticated thanks to the layers of design creating a depth that behaves as a backdrop for the highlights of intense pinks, reds, orange and lime.

The background has textures, border repeats and glimpses of patterns.

Whilst black seems an obvious choice for pairing, shocking pink works just as well, if not better!

Be Warned: don’t be wearing this outfit if you want to be a wallflower for the night. This outfit is “putting out there” that you’re up for the fun evening!

This style is a design based on an era in the early ’70s of watching my mother create an oversized, teased “do” and then don her latest geometric maxi creation as she and my dad, -he being clad in a lilac body shirt- complete with sideburns, whisked off to a “Sundowner Pool Party” – a trend that was replicating movies – I’m sure I’ve merged it all in my memory …. Jane Fonda in a maxi length, sleeveless A-line shift in geometric flowers with a big floppy hat – but then I realized – I’m not Jane Fonda – she’s much taller ………. OK – along with a few other details! 

There was something glamorous going on, but being too young to grasp or analyse, I was left with an impression of glamour being colour, print and fun times! This was what inspired our new Patcee dress, however, I wasn’t focused on a summer pool party; hence, a ¾ sleeve with flared cuff was a more elegant option. She is the perfect comfortable, stylish shift dress, with a high collar and V-neck placket in an edible green satin in a solid colour, and of course … pockets!

Confetti print, sophisticated femininity.

First impressions are an autumnal palette in a soft, floaty dress. A scattered patchwork combining ochre, soft khaki and creamy white. Upon close inspection the different tones of these 3, happy together, colours are generated by the patterns making them varying intensities of the same colour. All 3 colours play at being the foreground and background. A really clever design.

The combination of repetitive flower petals and leaves morphing into mini organic painterly dots, in the 3 colours, means the limited palette hangs perfectly together whilst also being far more “interesting” than solid colours, and at the same time reinforcing the autumn feel theme.

There is a freshness and lightness, thanks to the inclusion of the creamy white, whilst offering up an autumnal palette.

Liquid Gold – is the only way to describe this stunning colour.

Whether you are wearing it as a starting point to layering your outfit or the “finishing touch” for your outfit – it is a sublime soft gold.

If you are concerned it’s not ‘your colour ‘– you can easily sort that out by keeping another colour up near your face.

If you are after a formal evening look, grab a black layer, a similar tonal jewel colour such as ruby reds or an assortment of other pale stone/gold.

The light refraction, due to the sheen of the satin, makes this a colour that has multiple colours on its own, so if it’s a sophisticated look you’re after then simplicity is the key.

This amazing linen fabric has to be seen to truly appreciate the tones of colours creating a texture and depth that looks more like linen – than linen!?

So, keep it simple and commune with the best of the retro 60’s and you’re guaranteed to achieve sophisticated elegance.

There is something special about the light refraction on satin fabrics – the multitude of tones as the light catches the different directions of the fabric weave allows for a depth of colour that seems supernatural.

A perfect palette for Autumn – Ochre and Khaki are the perfect pair to get in the mood for the much-anticipated cooling off, after a long hot summer; before we’re looking for cosy winter solutions. 

A soft and sophisticated tone of khaki that sits with most colours – whether it’s other neutrals or contrast “complementary” colours in the ochre, fuchsia or purple tones.

The Khaki is what I call “colourless” – it’s only just looking khaki – not too bright. The lustre of the satin creates multiple tones of itself – letting it then pair with almost any colour.

This amazing print is quite simply, wearable art. It’s a really lovely drawing of stylized chrysanthemums with buds and leaves in myriad colours.

This border design has a foreground of a large flower and leaves in pinks, melon and greens with lots of detail so that the background of myriad greens in an organic texture, creates a real depth to the design. 

It’s the same concept when you look at a scenic landscape: the object in the foreground, be it a farmhouse, will have more detail and stronger colours; whilst the hills in the background will be much paler colours with no detail.

This gorgeous lightweight satin will see you through Autumn as you barely notice you are wearing it. It has such a soft handle that it will feel like you are being caressed by feathers.

This amazing print is quite simply, wearable art. It’s a really lovely drawing of stylized chrysanthemums with buds and leaves in myriad colours.

This border design has a foreground of a large flower and leaves in pinks, melon and greens with lots of detail so that the background of myriad greens in an organic texture, creates a real depth to the design.

It’s the same concept when you look at a scenic landscape: the object in the foreground, be it a farmhouse, will have more detail and stronger colours; whilst the hills in the background will be much paler colours with no detail.

This gorgeous lightweight satin will see you through Autumn too as you barely notice you are wearing it. It has such a soft handle that it will feel like you are being caressed by feathers.

This colour is sooo beautiful you want to eat it – which is only one of the reasons we’ve named it Raspberry. Usually, talking about red is all about “Fiery Red”, but not this one. There’s no orange base in this colour – she’s a red that is mixed with a pink base. She’s one of those colours that elicits an ‘OO AHH’ from everyone, and makes you want to smell it like a beautiful rose. Better still, there’s no one this tone red doesn’t flatter.

This style is a design based on an era in the early ’70s of watching my mother create an oversized, teased “do” and then don her latest geometric maxi creation as she and my dad, -he being clad in a lilac body shirt- complete with sideburns, whisked off to a “Sundowner Pool Party” – a trend that was replicating movies – I’m sure I’ve merged it all in my memory …. Jane Fonda in a maxi length, sleeveless A-line shift in geometric flowers with a big floppy hat – but then I realized – I’m not Jane Fonda – she’s much taller ………. OK – along with a few other details!

There was something glamorous going on, but being too young to grasp or analyse, I was left with an impression of glamour being colour, print and fun times! This was what inspired our new Patcee dress, however, I wasn’t focused on a summer pool party; hence, a ¾ sleeve with flared cuff was a more elegant option. She is the perfect, comfortable, stylish shift dress, with a high collar and V-neck placket in an edible green satin in a solid colour, and of course … pockets!

There’s something really luxurious about satin swishing to the floor and shimmering with your every move. It not only looks amazing, it feels amazing and even sounds amazing. The weave of the satin thread catches the light and throws off a myriad of smooth, lustrous tones of this beautiful raspberry. With all these tones of the same colour it makes a plain fabric so much more interesting, whilst leaving it open to pair with a multitude of colours. It will easily work with colours that sit either side of it on the colour wheel such as pink on one side and ochre on the other, whilst also working with contrast colours, such as greens or blues.