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Confetti print, sophisticated femininity.

First impressions are an autumnal palette in a soft, floaty dress. A scattered patchwork combining ochre, soft khaki and creamy white. Upon close inspection the different tones of these 3, happy together, colours are generated by the patterns making them varying intensities of the same colour. All 3 colours play at being the foreground and background. A really clever design.

The combination of repetitive flower petals and leaves morphing into mini organic painterly dots, in the 3 colours, means the limited palette hangs perfectly together whilst also being far more “interesting” than solid colours, and at the same time reinforcing the autumn feel theme.

There is a freshness and lightness, thanks to the inclusion of the creamy white, whilst offering up an autumnal palette.

Liquid Gold – is the only way to describe this stunning colour.

Whether you are wearing it as a starting point to layering your outfit or the “finishing touch” for your outfit – it is a sublime soft gold.

If you are concerned it’s not ‘your colour ‘– you can easily sort that out by keeping another colour up near your face.

If you are after a formal evening look, grab a black layer, a similar tonal jewel colour such as ruby reds or an assortment of other pale stone/gold.

The light refraction, due to the sheen of the satin, makes this a colour that has multiple colours on its own, so if it’s a sophisticated look you’re after then simplicity is the key.

There is something special about the light refraction on satin fabrics – the multitude of tones as the light catches the different directions of the fabric weave allows for a depth of colour that seems supernatural.

A perfect palette for Autumn – Ochre and Khaki are the perfect pair to get in the mood for the much-anticipated cooling off, after a long hot summer; before we’re looking for cosy winter solutions. 

A soft and sophisticated tone of khaki that sits with most colours – whether it’s other neutrals or contrast “complementary” colours in the ochre, fuchsia or purple tones.

The Khaki is what I call “colourless” – it’s only just looking khaki – not too bright. The lustre of the satin creates multiple tones of itself – letting it then pair with almost any colour.

It’s hard to do justice when describing the lustre of satin in ochre – maybe, a cross between burnished gold and a delicious, juicy clementine orange. It’s also surprisingly flattering; as a flat orange doesn’t suit all skin types and colourings. Somehow the lustre of the satin, with all its tones as it refracts light from every direction, makes it look exotic and it seems like it must be made up of lots of colours, all mixed together to produce this wondrous, lustrous golden ochre.

It really will pair with just about all colours – except yellow – but it will always be the standout hero!

It’s hard to do justice when describing the lustre of satin in ochre – maybe, a cross between burnished gold and a delicious, juicy clementine orange. It’s also surprisingly flattering; as a flat orange doesn’t suit all skin types and colourings. Somehow the lustre of the satin, with all it’s tones as it refracts light from every direction, makes it look exotic and it seems like it must be made up of lots of colours, all mixed together to produce this wondrous, lustrous golden ochre.

It really will pair with just about all colours – except yellow – but it will always be the standout hero!